關(guān)于優(yōu)秀英語詩歌導(dǎo)讀

字號(hào):

英語詩歌語言淺顯,節(jié)奏感很強(qiáng),且內(nèi)容豐富,能為學(xué)生提供獨(dú)特的魅力,創(chuàng)造優(yōu)美的意境,因此英語詩歌有利于激發(fā)學(xué)生的學(xué)習(xí)動(dòng)機(jī),培養(yǎng)學(xué)生的學(xué)習(xí)興趣,改善英語學(xué)習(xí)效果。下面是由帶來的關(guān)于優(yōu)秀英語詩歌,歡迎閱讀!
    
    【篇一】關(guān)于優(yōu)秀英語詩歌導(dǎo)讀
    Whatever You Say, Say Nothing
    Seamus Heaney
    "Religion's never mentioned here", of course.
    "You know them by their eyes," and hold your tongue.
    "One side's as bad as the other," never worse.
    Christ, it's near time that some small leak was sprung
    In the great dykes the Dutchman made
    To dam the dangerous tide that followed Seamus.
    Yet for all this art and sedentary trade
    I am incapable. The famous
    Northern reticence, the tight gag of place
    And times: yes, yes. Of the "wee six" I sing
    Where to be saved you only must save face
    And whatever you say, you say nothing.
    Smoke-signals are loud-mouthed compared with us:
    Manoeuvrings to find out name and school,
    Subtle discrimination by addresses
    With hardly an exception to the rule
    That Norman, Ken and Sidney signalled Prod
    And Seamus (call me Sean) was sure-fire Pape.
    O land of password, handgrip, wink and nod,
    Of open minds as open as a trap,
    Where tongues lie coiled, as under flames lie wicks,
    Where half of us, as in a wooden horse
    Were cabin'd and confined like wily Greeks,
    Besieged within the siege, whispering morse.
    【篇二】關(guān)于優(yōu)秀英語詩歌導(dǎo)讀
    From The Frontier Of Writing
    Seamus Heaney
    The tightness and the nilness round that space
    when the car stops in the road, the troops inspect
    its make and number and, as one bends his face
    towards your window, you catch sight of more
    on a hill beyond, eyeing with intent
    down cradled guns that hold you under cover
    and everything is pure interrogation
    until a rifle motions and you move
    with guarded unconcerned acceleration--
    a little emptier, a little spent
    as always by that quiver in the self,
    subjugated, yes, and obedient.
    So you drive on to the frontier of writing
    where it happens again. The guns on tripods;
    the sergeant with his on-off mike repeating
    data about you, waiting for the squawk
    of clearance; the marksman training down
    out of the sun upon you like a hawk.
    And suddenly you're through, arraigned yet freed,
    as if you'd passed from behind a waterfall
    on the black current of a tarmac road
    past armor-plated vehicles, out between
    the posted soldiers flowing and receding
    like tree shadows into the polished windscreen.
    【篇三】關(guān)于優(yōu)秀英語詩歌導(dǎo)讀
    Digging
    Seamus Heaney
    Between my finger and my thumb
    The squat pen rests; as snug as a gun.
    Under my window a clean rasping sound
    When the spade sinks into gravelly ground:
    My father, digging. I look down
    Till his straining rump among the flowerbeds
    Bends low, comes up twenty years away
    Stooping in rhythm through potato drills
    Where he was digging.
    The coarse boot nestled on the lug, the shaft
    Against the inside knee was levered firmly.
    He rooted out tall tops, buried the bright edge deep
    To scatter new potatoes that we picked
    Loving their cool hardness in our hands.
    By God, the old man could handle a spade,
    Just like his old man.
    My grandfather could cut more turf in a day
    Than any other man on Toner's bog.
    Once I carried him milk in a bottle
    Corked sloppily with paper. He straightened up
    To drink it, then fell to right away
    Nicking and slicing neatly, heaving sods
    Over his shoulder, digging down and down
    For the good turf. Digging.
    The cold smell of potato mold, the squelch and slap
    Of soggy peat, the curt cuts of an edge
    Through living roots awaken in my head.
    But I've no spade to follow men like them.
    Between my finger and my thumb
    The squat pen rests.
    I'll dig with it.