一、圍繞“以人文為志業(yè)”的主題，闡述考生個(gè)人與人文學(xué)科發(fā)生的因緣(40分)。
二、就以下兩件作品中的任一件撰寫賞析文章(60分)。
要點(diǎn)：
1.獨(dú)立成文，自主命題和命意;
2.在觀察、分析基礎(chǔ)上合理表述;
3.形式不拘(論說(shuō)文、解說(shuō)詞、對(duì)話體或者詠畫詩(shī)等等均可)。
注意：
1.賞析作品圖像由考場(chǎng)提供并投影放映;試卷將提供圖片的黑白版;
2.不要在答題中透露任何有關(guān)考生的具體家庭信息;
3.本試題不設(shè)標(biāo)準(zhǔn)答案，切忌陳詞濫調(diào)，鼓勵(lì)獨(dú)抒己見。
作品1：《搗練圖》，美國(guó)波士頓美術(shù)館藏，絹本設(shè)色，縱37厘米，橫145.3厘米。原屬圓明園收藏，一般認(rèn)為是宋徽宗趙佶的摹本。
此卷原無(wú)款識(shí)，北宋亡后進(jìn)入金朝宮廷，金章宗完顏璟用瘦金體題“天水摹張萱搗練圖”，上下兩邊四角都有金章宗收藏印。清初為學(xué)者高士奇所藏(卷首書“高江邨清吟堂秘藏”)。1912年5月，時(shí)任美國(guó)波士頓美術(shù)館東方部部長(zhǎng)的岡倉(cāng)天心從北京一位滿清貴族手上購(gòu)得，同年8月入藏波士頓美術(shù)館。
搗練，亦即搗素、搗衣，古代婦女協(xié)力的日常農(nóng)織勞作，由夏入秋這一特定時(shí)節(jié)的生產(chǎn)習(xí)慣。具體地說(shuō)，布料上漿捶搗，稱“搗練”;成衣上漿捶搗，稱“搗衣”?！熬殹笔且环N較為精細(xì)的絲帛原料，生衣，是指沒(méi)有經(jīng)過(guò)漿、搗的織物所制之衣;熟衣的衣料則由經(jīng)過(guò)漿、搗等更精細(xì)的過(guò)程加工的衣料制成，更適合穿著。
作者簡(jiǎn)介：
張萱(公元8世紀(jì))〔唐〕京兆(今陜西西安)人，生卒年不詳。玄宗開元十一年(723)與楊升、楊寧同時(shí)任史館畫直。工畫人物，以擅繪貴族婦女、貴公子、嬰兒、鞍馬名冠當(dāng)時(shí)。所畫婦女慣用朱色，暈染耳根為其特色。又善以點(diǎn)簇筆法，畫亭臺(tái)、樹木、花鳥等宮苑景物，點(diǎn)綴妍巧，俱窮其妙。嘗以“金井梧桐秋葉黃”之句畫《長(zhǎng)門怨》，甚有思致。畫跡有《明皇納涼圖》《整妝圖》《衛(wèi)夫人像》等47件，著錄于《宣和畫譜》。傳世作品有《搗練圖》卷(為趙佶摹本)，現(xiàn)藏美國(guó)波士頓美術(shù)館;和《虢國(guó)夫人游春圖》卷(為宋摹本)，從藝活動(dòng)約在開元、天寶年間。
作品2：《沉睡的吉普賽姑娘》 (The Sleeping Gypsy，1897)布面油畫，129.5 x 200.7 cm，美國(guó)紐約現(xiàn)代美術(shù)館(MoMa)
Henri Julien Félix Rousseau ( May 21, 1844 – September 2, 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll collector. Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality. Rousseau's work exerted an extensive influence on several generations of avant-garde artists.
The Sleeping Gypsy (French: La Bohémienne endormie) is an 1897 oil painting by Henri Rouseau. It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night.
Rousseau first exhibited the painting at the 13th Salon des Indépendants, and tried unsuccessfully to sell it to the mayor of his hometown, Laval. Instead, it entered the private collection of a Parisian charcoal merchant where it remained until 1924, when it was discovered by the art critic Louis Vauxcelles. The Paris-based art dealer Daniel-Henry Kahnweiler purchased the painting in 1924, although a controversy arose over whether the painting was a forgery. It was acquired by art historian Alfred H. Barr Jr. for the New York Museum of Modern Art.
Rousseau described his painting as follows: "A wandering Negress, a mandolinplayer, lies with her jar beside her (a vase with drinking water), overcome byfatigue in a deep sleep. A lion chances to pass by, picks up her scent yet do-es not devour her. There is a moonlight effect, very poetic."
作者簡(jiǎn)介：
亨利·朱利安·費(fèi)利克斯·盧梭(Henri Julien Félix Rousseau,1844年5月21日-1910年9月2日)，法國(guó)稚拙派或“原始主義”派畫家。出生于法國(guó)西北部的拉瓦爾市。父親朱利安·盧梭是馬口鐵工匠。青年時(shí)期他當(dāng)過(guò)軍樂(lè)隊(duì)隊(duì)員，后離開巴黎做了海關(guān)官員。
《沉睡的吉普賽姑娘》是一幅富有異國(guó)情調(diào)的作品。這個(gè)情節(jié)發(fā)生在沙漠之中，一個(gè)黑皮膚的吉普賽女郎，身上穿著東方式的服裝，身旁放著一只水壇，平靜地進(jìn)入了夢(mèng)鄉(xiāng)。一只獅子恰好路過(guò)此地，在她身上嗅個(gè)不停，但并沒(méi)有吃掉她。在月光的籠罩下，夜的氣氛充滿了詩(shī)情畫意。
