京劇 Peking Opera
京劇是中國(guó)的一種傳統(tǒng)藝術(shù)。它是中國(guó)戲曲的一種，誕生于于1790年四大徽班(Four Great Anhui Troupes)入京表演的時(shí)候。19世紀(jì)中期得到快速發(fā)展，到清朝達(dá)到全盛階段。京劇被看成是中國(guó)的文化瑰寶之一。雖然它被稱為京劇，但是它的起源地卻是中國(guó)的安徽省和湖北省。京劇起初是一種宮廷表演藝術(shù)，而后才慢慢普及到民間。在數(shù)百年前，京劇作為一種新的戲曲形式，無(wú)論在哪里進(jìn)行表演，都飽受歡迎。而在現(xiàn)代社會(huì)中，包括京劇在內(nèi)的傳統(tǒng)戲曲卻不大能被年輕人接受，面臨著巨大的生存危機(jī)。
Peking opera is a traditional art in China. It is a kind of Chinese opera which was born when the Four Great Anhui Troupes came to Beijing in 1790, arose in the mid-19th century and was extremely popular in the Qing Dynasty. Peking opera is widely regarded as one of the cultural treasures of China. Although it is called Beijing opera, its origins are in the Chinese provinces of Anhui and Hubei. Peking opera was originally staged for the court and came into the public later. Hundreds of years ago, as a new drama form, wherever it was performed, it would be warmly welcomed.. Unfortunately, in the modern world, traditional operas including Peking Opera have to face the existential crisis, because they are not easily accepted by younger generations.
京劇是中國(guó)的一種傳統(tǒng)藝術(shù)。它是中國(guó)戲曲的一種，誕生于于1790年四大徽班(Four Great Anhui Troupes)入京表演的時(shí)候。19世紀(jì)中期得到快速發(fā)展，到清朝達(dá)到全盛階段。京劇被看成是中國(guó)的文化瑰寶之一。雖然它被稱為京劇，但是它的起源地卻是中國(guó)的安徽省和湖北省。京劇起初是一種宮廷表演藝術(shù)，而后才慢慢普及到民間。在數(shù)百年前，京劇作為一種新的戲曲形式，無(wú)論在哪里進(jìn)行表演，都飽受歡迎。而在現(xiàn)代社會(huì)中，包括京劇在內(nèi)的傳統(tǒng)戲曲卻不大能被年輕人接受，面臨著巨大的生存危機(jī)。
Peking opera is a traditional art in China. It is a kind of Chinese opera which was born when the Four Great Anhui Troupes came to Beijing in 1790, arose in the mid-19th century and was extremely popular in the Qing Dynasty. Peking opera is widely regarded as one of the cultural treasures of China. Although it is called Beijing opera, its origins are in the Chinese provinces of Anhui and Hubei. Peking opera was originally staged for the court and came into the public later. Hundreds of years ago, as a new drama form, wherever it was performed, it would be warmly welcomed.. Unfortunately, in the modern world, traditional operas including Peking Opera have to face the existential crisis, because they are not easily accepted by younger generations.