為廣大考生整理了2014年考研英語(yǔ)一考試真題答案，供廣大考生參考：
1.where
2.fades
3.While
4.damaging
5.wellbeing
6.turns
7.workouts
8.functions
9.process
10.excel
11.However
12.according to
13.further
14.sharpness
15.allows
16.track
17.on
18.constantly
19.build
20.effective 21.B.encourage jobseekers' active engagement in job seeking
22.C.to register for an allowance from the government
23.D.passion to ensure fairness for taxpayers.
24.A.uneasy.
25.A.The british welfare system indulges jobseekers' laziness.
26.D.the attraction of financial rewards.
27.A.Higher tuition fees for undergraduate studies.
28.B.the rigid bodies governing the profession.
29.A.bans outsiders' involvement in the profession
30.C.a problem in America's legal profession and solutions to it
31.D.a handsome reward for researchers.
32 D.peer-review-led research
33.B.the joint effortof modern researchs
34.D.History has never cast doubt on them
35.A.acceptable despite the criticism
36.A.critical
37.C.keep a leading position in liberal education
38.B.a greater emphasis on theorectical subjects
39.D.biased against classical liberal ideas
40.B.Illiberal Education and "The Heart of the Matter"
41.C
42.F
43.G
44.D
45.B 46. It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
這也是為什么我們嘗試用語(yǔ)言來(lái)描述音樂(lè)時(shí)，只是能表達(dá)出對(duì)音樂(lè)的感受卻無(wú)法領(lǐng)會(huì)音樂(lè)本身。
47. By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.
據(jù)大家所說(shuō)，他思想自由，勇氣十足。在對(duì)其作品的理解方面，我認(rèn)為勇氣是本質(zhì)，更不用說(shuō)在作品的演奏方面了。
48. Beethoven's habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.
貝多芬習(xí)慣限度地增加音量，然后突然轉(zhuǎn)為柔和的樂(lè)段，這在其之前的音樂(lè)家中是很少有的。
49.Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.
尤其重要的是他關(guān)于自由的觀點(diǎn)，在他自己看來(lái)，這種觀點(diǎn)是和個(gè)人的權(quán)利和義務(wù)相關(guān)聯(lián)的。他宣揚(yáng)的是思想和個(gè)人表達(dá)的自由。
50.One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.
人們可以通過(guò)以下論斷來(lái)詮釋貝多芬的許多作品：苦難是不可避免的，但正是這種與苦難作斗爭(zhēng)的勇氣給了生命價(jià)值。
1.where
2.fades
3.While
4.damaging
5.wellbeing
6.turns
7.workouts
8.functions
9.process
10.excel
11.However
12.according to
13.further
14.sharpness
15.allows
16.track
17.on
18.constantly
19.build
20.effective 21.B.encourage jobseekers' active engagement in job seeking
22.C.to register for an allowance from the government
23.D.passion to ensure fairness for taxpayers.
24.A.uneasy.
25.A.The british welfare system indulges jobseekers' laziness.
26.D.the attraction of financial rewards.
27.A.Higher tuition fees for undergraduate studies.
28.B.the rigid bodies governing the profession.
29.A.bans outsiders' involvement in the profession
30.C.a problem in America's legal profession and solutions to it
31.D.a handsome reward for researchers.
32 D.peer-review-led research
33.B.the joint effortof modern researchs
34.D.History has never cast doubt on them
35.A.acceptable despite the criticism
36.A.critical
37.C.keep a leading position in liberal education
38.B.a greater emphasis on theorectical subjects
39.D.biased against classical liberal ideas
40.B.Illiberal Education and "The Heart of the Matter"
41.C
42.F
43.G
44.D
45.B 46. It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
這也是為什么我們嘗試用語(yǔ)言來(lái)描述音樂(lè)時(shí)，只是能表達(dá)出對(duì)音樂(lè)的感受卻無(wú)法領(lǐng)會(huì)音樂(lè)本身。
47. By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.
據(jù)大家所說(shuō)，他思想自由，勇氣十足。在對(duì)其作品的理解方面，我認(rèn)為勇氣是本質(zhì)，更不用說(shuō)在作品的演奏方面了。
48. Beethoven's habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.
貝多芬習(xí)慣限度地增加音量，然后突然轉(zhuǎn)為柔和的樂(lè)段，這在其之前的音樂(lè)家中是很少有的。
49.Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.
尤其重要的是他關(guān)于自由的觀點(diǎn)，在他自己看來(lái)，這種觀點(diǎn)是和個(gè)人的權(quán)利和義務(wù)相關(guān)聯(lián)的。他宣揚(yáng)的是思想和個(gè)人表達(dá)的自由。
50.One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.
人們可以通過(guò)以下論斷來(lái)詮釋貝多芬的許多作品：苦難是不可避免的，但正是這種與苦難作斗爭(zhēng)的勇氣給了生命價(jià)值。