Receptionist: Good morning.
Richard: Good morning. My name is Richard Stewart. I'm here to see Mr.Carlson.
Receptionist: Please sit down, Mr. Stewart. Mr. Carlson will be with you shortly.
Richard: Thank you.
Receptionist: Excuse me, Mr. Carlson, but Richard Stewart is here for his ten 0'clock appointment with you. OK. Thank you. Like I said, he'll be with you shortly.
Richard: Thank you.
Receptionist: Yes, Mr.Carlson. Yes, sir. He's ready for you, Mr. Stewart.
Richard: Thank you. In there?
Receptionist: Yes. In there. Good luck.
Carlson: Come in, come in. This is a crazy morning. Hello, Richard.
Richard: Hello, Mr.Carlson.
Carlson: Sit down, sit down.
Richard: Thank you for seeing me on such short notice.
Carlson: I hope you've brought your pictures along. I see that you have. Let's get right to it. We need a new coffee table book, and a book of photos about the United States still feels right. OK, let's take a look. Good. Very good. Family Album, U.S.A. It's an excellent title. If you had to describe the book in one sentence, how would you do it?
Richard: Well, I'd describe it as a book which is a ... a portrait of the United States-the places, the people-mostly the people. The things they do, the ways they live, the placesd they visit, and the landmarks. A photographic journey.
Carlson: These are wonderful-these photos in your pen arts section. Carnegie Hall, Lincoln Center.
Richard: I'm glad you like them.
Carlson: I do, but...
Richard: But?
Carlson: There's something missing. You've got a good eye, Richard. You're a terrific photographer. But before I can publish your work. I need to meet with my marketing department, and you've got to do one more thing.
Richard: What's that, Mr. Carlson?
Carlson: In the section on culture, you've included performing arts centers, but you've left out street performance.The mimes. The musicians. The dancers-in the parks and on the streets. Richard, if you go out and photograph street performances in the city, you'll have it.
Richard: That is a great ieda.The performing arts centers and the street performances. I'll do it.
Carlson: If you do it, I'll publish your work.
Richard: Are you serious?
Carlson: I've never been more serious. When do you think you can return with street performances?
Richard: A couple of weeks.
Carlson: If they're as good as the rest of these pictures, it's a deal.
Richard: You won't be disappointed, Mr.Carlson. Thanks.
Carlson: Good-bye, Richard, and good luck. See you in two weeks.
Richard: Good-bye, Mr. Carlson. Thanks. So if you like the street-performance photos, you'll really publish Family Album, U.S.A.?
Carlson: When I way something, I mean it. Go to work. Goodbye.
Richard: Good-bye.
Richard: Good morning. My name is Richard Stewart. I'm here to see Mr.Carlson.
Receptionist: Please sit down, Mr. Stewart. Mr. Carlson will be with you shortly.
Richard: Thank you.
Receptionist: Excuse me, Mr. Carlson, but Richard Stewart is here for his ten 0'clock appointment with you. OK. Thank you. Like I said, he'll be with you shortly.
Richard: Thank you.
Receptionist: Yes, Mr.Carlson. Yes, sir. He's ready for you, Mr. Stewart.
Richard: Thank you. In there?
Receptionist: Yes. In there. Good luck.
Carlson: Come in, come in. This is a crazy morning. Hello, Richard.
Richard: Hello, Mr.Carlson.
Carlson: Sit down, sit down.
Richard: Thank you for seeing me on such short notice.
Carlson: I hope you've brought your pictures along. I see that you have. Let's get right to it. We need a new coffee table book, and a book of photos about the United States still feels right. OK, let's take a look. Good. Very good. Family Album, U.S.A. It's an excellent title. If you had to describe the book in one sentence, how would you do it?
Richard: Well, I'd describe it as a book which is a ... a portrait of the United States-the places, the people-mostly the people. The things they do, the ways they live, the placesd they visit, and the landmarks. A photographic journey.
Carlson: These are wonderful-these photos in your pen arts section. Carnegie Hall, Lincoln Center.
Richard: I'm glad you like them.
Carlson: I do, but...
Richard: But?
Carlson: There's something missing. You've got a good eye, Richard. You're a terrific photographer. But before I can publish your work. I need to meet with my marketing department, and you've got to do one more thing.
Richard: What's that, Mr. Carlson?
Carlson: In the section on culture, you've included performing arts centers, but you've left out street performance.The mimes. The musicians. The dancers-in the parks and on the streets. Richard, if you go out and photograph street performances in the city, you'll have it.
Richard: That is a great ieda.The performing arts centers and the street performances. I'll do it.
Carlson: If you do it, I'll publish your work.
Richard: Are you serious?
Carlson: I've never been more serious. When do you think you can return with street performances?
Richard: A couple of weeks.
Carlson: If they're as good as the rest of these pictures, it's a deal.
Richard: You won't be disappointed, Mr.Carlson. Thanks.
Carlson: Good-bye, Richard, and good luck. See you in two weeks.
Richard: Good-bye, Mr. Carlson. Thanks. So if you like the street-performance photos, you'll really publish Family Album, U.S.A.?
Carlson: When I way something, I mean it. Go to work. Goodbye.
Richard: Good-bye.